バッドフィンガー 2010/08/06掲載(Last Update:10/08/07 01:54)
10月25日(英国)に最新リマスター盤として再登場する、
ザ・ビートルズ(The Beatles)が設立したアップル・レコード(Apple Records)の作品群。同日には同レーベルの歴史を凝縮したコンピレーション・アルバム『Come and Get It: the Best of Apple Records』も発売されます。
アルバムは、
バッドフィンガーや、その前身である
アイヴィーズをはじめ、
ジェイムス・テイラー、
メリー・ホプキン、
ビリー・プレストン、
ドリス・トロイ、
ジャッキー・ロマックスらの楽曲をセレクトした全21曲入り。各タイトルのリマスター盤と同様、こちらもCD版とデジタル・ダウンロード版のリリースです。
また今回、各タイトルのリマスター盤に追加されるボーナス・トラックも明らかに。その多くがこれまで未発売であったヴァージョン、または未発表曲という内容で、CD版と同時発売されるデジタル・ダウンロード版には、さらなるレア音源が追加されます(一部除く)。
なお、今回のリマスター盤再発に、
ジョージ・ハリスンが支援していた宗教団体のチャントを集めたアルバム『ラダ・クリシュナ・テンプル(The Radha Krishna Temple)』も対象になることが決定しました。
いまも古さを感じさせないアップル・レコードの良質な作品群。新たな仕様でもお楽しみください!
●『Come and Get It: the Best of Apple Records』
[収録曲]
1. Those Were The Days / Mary Hopkin
The multi-million selling debut 45 by Mary Hopkin was UK No. 1 for six weeks in 1968 and was produced by Paul McCartney, who discovered this 1920s Russian folk song in a London night club.
2. Carolina In My Mind / James Taylor
Taken from his self-titled debut album, this is the original version of ‘Carolina In My Mind’, cut in London in 1968. Issued as a US single, it features Paul McCartney on bass and George Harrison on backing vocals.
3. Maybe Tomorrow / The Iveys
The Iveys were brought to Apple by former Beatles roadie Mal Evans and ‘Maybe Tomorrow’ was a hit in Holland and a minor hit in the US, before the band changed its name to Badfinger.
4. Thingumybob / The Black Dyke Mills Band
Paul McCartney’s theme tune for a 1968 British TV comedy drama series, recorded by the most famous brass band in the world.
5. King Of Fuh / Brute Force
Brute Force is a New York songwriter and this single was championed by John Lennon and George Harrison, but ‘Fuh’ rhymes with ‘Uh’, and ‘the Fuh king’ was therefore banned back in 1969.
6. Sour Milk Sea / Jackie Lomax
Jackie Lomax has a great blue-eyed soul voice that more than does justice to this otherwise unavailable ‘White Album’-era song by George Harrison. Paul and Ringo provide rhythm and Eric Clapton plays lead guitar.
7. Goodbye / Mary Hopkin
Mary’s hugely successful follow-up to ‘Those Were The Days’ was written by Paul McCartney, and features Paul providing his own thigh-slapping percussion throughout.
8. That's The Way God Planned It / Billy Preston
Billy Preston’s breakthrough UK hit, reaching No. 11, features the stellar line-up of Billy on keyboards, George Harrison on guitar, Keith Richards on bass, Ginger Baker on drums and Eric Clapton on lead guitar.
9. New Day / Jackie Lomax
An original non-album Lomax 45 that was co-produced with Mal Evans, and single-handedly defines the Jackie Lomax sound: British soul meets R&B with horns.
10. Golden Slumbers-Carry That Weight / Trash
A powerful interpretation of two songs from The Beatles’ Abbey Road, recorded by Trash, a heavy Scottish group that came to Apple via their producer, former Shadows drummer Tony Meehan.
11. Give Peace A Chance / Hot Chocolate Band
This completely re-worded British reggae version of John Lennon’s peace anthem was brought to Apple in a one-off deal by the band that became hugely popular in the Seventies with a string of classic disco hits.
12. Come And Get It / Badfinger
Written and produced by Paul McCartney for The Magic Christian film starring Peter Sellers and Ringo Starr, ‘Come And Get It’ was a massive worldwide hit and the first record issued by The Iveys under their new name of Badfinger.
13. Ain't That Cute / Doris Troy
Soul singer-songwriter Doris Troy had scored hits before coming to Apple in 1969, and she and George Harrison wrote ‘Ain’t That Cute’ from scratch in the studio ― the first time George had ever written a song that way.
14. My Sweet Lord / Billy Preston
George Harrison produced this soulful, gospel version of his most famous solo song, which he gave to Billy Preston before he had recorded it and released it himself.
15. Try Some Buy Some / Ronnie Spector
Ronnie Spector, one-time Ronette and former wife of legendary producer Phil, recorded this George Harrison original in 1971. George later re-cut it himself for Living In The Material World, using the exact same backing as Ronnie’s single.
16. Govinda / Radha Krishna Temple
‘Govinda’ is a Sanskrit hymn to Krishna, and was a UK Top 30 hit for the Radha Krishna Temple in 1970. Produced by George Harrison, who also plays bass and accordion.
17. We're On Our Way / Chris Hodge
In 1972, Chris Hodge, a young British pop singer with a fascination for UFOs, caught the attention of Ringo Starr who signed Chris to Apple. ‘We’re On Our Way’ was recorded at Apple’s own studio in the basement of 3 Savile Row, London, and was a hit in America.
18. Saturday Nite Special / The Sundown Playboys
‘Saturday Nite Special’ is a lover’s lament sung in Cajun French by this cross-generational collective from Louisiana, USA, who came to Apple when their teenage accordionist sent in the song on a whim.
19. God Save Us / Bill Elliot & The Elastic Oz Band
John Lennon and Yoko Ono wrote this fundraiser for the defence in the famous Oz Obscenity Trial of 1971 and produced it too with Mal Evans and Phil Spector. Vocalist Bill Elliot later signed to George Harrison’s Dark Horse label.
20. Sweet Music / Lon & Derrek van Eaton
New Jersey’s Lon & Derrek van Eaton were one of the last acts to sign to Apple in 1971 and the first to make use of Apple’s then state-of-the-art recording studio. George Harrison produced ‘Sweet Music’ and Ringo played drums.
21. Day After Day / Badfinger
The band’s third single for Apple was produced by George Harrison, who duetted with the band’s Pete Ham on the slide guitar solo. It went UK Top 10 in 1972, and peaked at No. 4 Billboard in the US, in the same week that Nilsson’s cover of Badfinger’s ‘Without You’ was at No. 1.
■James Taylor
●『JAMES TAYLOR』(1968年)
[ボーナス・トラック]
*all previously unreleased:
・Sunny Skies
/ studio demo later re-recorded for 1970’s Sweet Baby James
・Let Me Ride
/ studio demo later re-recorded for 1971’s Mud Slide Slim And The Blue Horizon
・Sunshine Sunshine
/ solo acoustic demo of a song from James Taylor
・Carolina In My Mind
/ solo acoustic demo of a song from James Taylor
■Badfinger
●『MAGIC CHRISTIAN MUSIC』(1970年)
[ボーナス・トラック]
*all previously unreleased rare recordings by The Iveys:
・And Her Daddy’s A Millionaire
/ alternative version
・Mrs Jones
/ remix of an Iveys single-that-never-was
・Sali Bloo
/ mono mix
・See-Saw Granpa
/ mono mix
・I’ve Been Waiting
/ unedited take of this psychedelic cult classic
[ボーナス・トラック:Digital Downloads]
・Dear Angie
/ mono mix
・No Escaping Your Love
/ mono mix
・Think About The Good Times
/ previously unreleased mono mix
・Yesterday Ain’t Coming Back
/ previously unreleased mono mix
・Arthur
/ previously unreleased stereo remix.
・Storm In A Teacup
/ from Apple’s 1969 Wall’s Ice Cream EP
●『NO DICE』(1970年 / 写真)
[ボーナス・トラック]
*all previously unreleased rare recordings; the last five of which were all produced by Mal Evans:
・I Can’t Take It
/ extended version / produced by Geoff Emerick
・Without You
/ mono studio demo
・Get Down
/ mono studio demo
・Photograph (aka ‘Friends Are Hard To Find’)
/ alternative version
・Believe Me
/ alternative version
・No Matter What
/ mono demo version
[ボーナス・トラック:Digital Downloads]
*previously unreleased tracks
・Love Me Do
/ instrumental version
・Get Down
/ extended stereo version
●『STRAIGHT UP』(1972年)
[ボーナス・トラック]
* all produced by the Grammy Award-winning Geoff Emerick, three of which are previously unreleased songs:
・I’ll Be The One
/ originally intended as a Badfinger single
・Name Of The Game
/ first version; the cancelled single, Apple 35
・Baby Blue
/ US single mix; not issued on 45 in the UK
・Baby Please
/ previously unreleased song
・No Good At All
/ previously unreleased song
・Sing For The Song
/ previously unreleased song
[ボーナス・トラック:Digital Downloads]
*ll taken from the unreleased album in between No Dice and Straight Up, produced by Geoff Emerick. One of these tracks is previously unreleased:
・Money
・Flying
・Perfection
・Suitcase
/ with original ‘Pusher, Pusher’ lyric
・Sweet Tuesday Morning
/ previously unreleased
・Mean Mean Jemima
・Loving You
●『ASS』(1974年)
[ボーナス・トラック]
*all produced by Badfinger themselves. Four of these are previously unreleased versions, and one is a previously unreleased song:
・Do You Mind
・Apple Of My Eye
・Blind Owl
・Regular
/ previously unreleased song
・Timeless
[ボーナス・トラック:Digital Downloads]
*all produced by Badfinger themselves. Four of these are previously unreleased versions and the other is a previously unreleased song:
・Get Away
・When I Say
・The Winner
・I Can Love You
・Piano Red
/ previously unreleased song
■Mary Hopkin
●『POST CARD』(196年)
[ボーナス・トラック]
*three of which were produced by Paul McCartney, and one by Geoff Emerick. One of these is previously unreleased ― a cancelled Mary Hopkin single from 1969
・Turn Turn Turn
/ 1968 B-side to ‘Those Were The Days’
・Goodbye
/ Mary’s second hit single, written by Paul McCartney
・Sparrow
/ 1969 B-side to ‘Goodbye’, written by Gallagher & Lyle then signed to Apple Publishing
・Fields Of St. Etienne
/ previously unreleased version of this Gallagher & Lyle song, the cancelled single, Apple 16.
[ボーナス・トラック:Digital Downloads]
*each produced by Paul McCartney: foreign language vocal versions of ‘Those Were The Days’. Two of these have never before been available in digital format (CD or download):
・Le Temps Des Fleurs
/ ‘Those Were The Days’ in French (first time on digital)
・An Jenem Tag
/ ‘Those Were The Days’ in German (first time on digital)
・Quelli Erano Giorni
/ ‘Those Were The Days’ in Italian
・Que Tiempo Feliz
/ ‘Those Were The Days’ in Spanish
●『EARTH SONG, OCEAN SONG』(1971年)
[ボーナス・トラック]
*all produced by Tony Visconti:
・Kew Gardens
/ 1971 B-side to ‘Let My Name Be Sorrow’
・When I Am Old One Day
/ from the Earth Song / Ocean Song sessions
・Let My Name Be Sorrow
/ Mary’s penultimate single for Apple Records, issued in 1971
[ボーナス・トラック:Digital Downloads]
*each produced by Tony Visconti and two of which are being made available digitally (on CD or as downloads) for the first time:
・Quand Je Te Regarde Vivre
/ ‘Let My Name Be Sorrow’ sung in French (first time on digital)
・Watashi O Kanashimi To Yonde
/ ‘Let My Name Be Sorrow’ sung in Japanese (first time on digital)
・Jefferson
/ original 1971 B-side to ‘Water, Paper And Clay’, Mary’s last single for Apple Records
■Billy Preston
●『THAT'S THE WAY GOD PLANNED IT』(1969年)
[ボーナス・トラック]
*three bonus tracks from the 1991 CD plus the previously unreleased ‘Something’s Got To Change’
・Through All Times
・As I Get Older
/ an instrumental produced by Ray Charles and the 1970 B-side to Billy’s second Apple single, ‘All That I’ve Got (I’m Gonna Give It To You)’
・That’s The Way God Planned It
/ stripped back ‘rock’ version
・Something’s Got To Change
/ first recorded by Ray Charles in 1967
●『ENCOURAGING WORDS』(1970年)
[ボーナス・トラック]
*the two Bonus Tracks from the 1993 release along with ‘How Long Has The Train Been Gone’ which is a previously unreleased track
・As Long As I’ve Got My Baby
/ originally the planned B-side to the cancelled UK ‘My Sweet Lord’ single, Apple 29
・All That I’ve Got (I’m Gonna Give It To You)
/ co-written with Doris Troy and Billy’s third Apple single in 1970.
・How Long Has The Train Been Gone
/ written with Bruce Fisher and later re-recorded for Billy’s 1973 album Everybody Loves Some Kind Of Music
■Doris Troy
●『DORIS TROY』(1970年)
[ボーナス・トラック]
*the five Bonus Tracks that appeared on the 1992 CD reissue, plus an additional, previously unreleased, alternative version of ‘All That I’ve Got (I’m Gonna Give It To You)’, written with Billy Preston and issued by Billy as his third Apple single in 1970.
・All That I’ve Got (I’m Gonna Give It To You)
/ co-written with Billy Preston
・Get Back
/ Beatles cover version and the B-side to Doris’ second Apple single ‘Jacob’s Ladder’
・Dearest Darling
/ a Doris original unreleased until 1992
・What You Will Blues’
・Vaya Con Dios
/ the B-side to ‘Ain’t That Cute’ in 1970
・All That I’ve Got (I’m Gonna Give It To You)
/ newly discovered alternative version
■Jackie Lomax
●『IS THIS WHAT YOU WANT?』(1968年)
[ボーナス・トラック]
*three of which are previously unreleased:
・New Day
/ Jackie’s second single for Apple, from 1969
・Thumbin’ A Ride
/ cover of the Coasters song, produced by Paul McCartney and the B-side to ‘How The Web Was Woven’ in 1970
・How The Web Was Woven
/ Jackie’s last single for Apple, produced by George Harrison
・You’ve Got To Be Strong
/ previously unreleased by Jackie Lomax; also covered by Doris Troy on her Apple album
・You Make It With Me
/ previously unreleased; one of the last tracks Jackie recorded for Apple
・Can You Hear Me
/ previously unreleased; one of the last tracks Jackie recorded for Apple in the summer of 1969
[ボーナス・トラック:Digital Downloads]
*three of which make their debut in the digital domain:
・Going Back To Liverpool
/ unreleased until 1991
・Sour Milk Sea
/ 1968 mono mix (first time on digital)
・The Eagle Laughs At You
/ 1968 mono mix (first time on digital)
・Little Yellow Pills
/ 1968 mono mix (first time on digital)
■the Modern Jazz Quarte
●『UNDER THE JASMIN TREE (196年8) & SPACE (1969年) 』
(2-on-1 CD)
[ボーナス・トラック]
・Yesterday
/ previously unreleased version of The Beatles’ classic
■John Tavener
●『THE WHALE (1970年) & CELTIC REQUIEM (1971年) 』
(2-on-1 CD)
■The Radha Krishna Temple
●『The Radha Krishna Temple((1971年)』
[ボーナス・トラック]
・Namaste Sarawati Devi
/ previously unreleased